You can tell Moreci is pulling some elements from quite a few iconic sci-fi franchises, but for me, what helps this standout is how the lead character, Sasha, is being presented. She's not just some one-dimensional and strong lead character. You can tell there's an interesting backstory here and I'm left honestly wanting to see what it is. She's courageous and intelligent, yet you can also see she's somewhat broken -- a quality which is revealed in a pretty clever and emotional way, too. My connection to the rest of the cast isn't nearly as strong and I can't shake the feeling that at least one or two of them are there just to serve as fodder, but I'd rather not race to conclusions about how they'll be handled just yet. I may not recall all of their names or even be able to immediately tell them apart, but so far, their dialogue feels natural and it leaves me feeling optimistic they're not just there to spew exposition and they're instead there to feel, you know, human.
This almost feels like Prometheus in the way it's setting up one big mystery after another. From horror elements to interesting questions, you can tell each one has potential. Now, I know Prometheus is a polarizing movie, but, based on this issue, this feels like it's going to give us a proper amount of insight into each of the elements that were just established. It would be hugely disappointing if that wasn't the case, but given how organically this first issue puts everything in place and teases them, I'm left feeling confident each of these subplots will receive a good amount of attention. Only time will tell, though!
Aside from a few small criticisms (e.g. sometimes eyes appear too far apart; rarely the environments seemed to lack depth), Roche Limit: Clandestiny #1's visuals are a nice mix of humanizing displays of emotion and gorgeous shades of purple and blue. Whether it's a fast-paced crash landing or just a simple conversation, the use of angles always kept me feeling immersed in the story. I may have some small, personal criticisms with some of the anatomy, but these visuals rarely pulled me out of the moment and I was left properly understanding and appreciating a vast majority of what was occurring. I especially enjoyed the occasional close-up shot of the eyes for the more dramatic moments.